Many friends advised me to watch Iranian cinema, and how
much Ndbt received for being recently
discovered this real treasure cinematic
eye that makes you enjoy the art of sophisticated far cry from the fluidity
that often occupies Moadiana local cinema ..
Another Iranian film I saw was the film "Children of
Paradise" Iranian director Majid Majidi, the film produced in 1999, its
kind Drama Family, and his heroes two small children, while the number of
awards it has exceeded the 10 awards, including Award nomination for best
foreign film Oscar, as you get the movie on Rating 8 to 10 in the mass site
imdb and so, by more than 6 thousand viewers.
The film tells a small child wasting shoe sister started his
junior by one year, making it shared his shoes athlete, so wait until the end
of lessons to give it sole shoe is available in the house, and one day, taking
part in a competition to run the third prize is a sports shoe, but for bad
story luck obtained the first rank to miss a dream to get new shoes for his
sister ..
The film is trying to formulate a number of questions about
the reality of poverty in Iran without having to images gloomy intensify and
very black, so I use the only way the shoe metaphor for the case of a number of
Iranian families living below the poverty threshold, Vosrh two children live in
a small room, and the father Tea worshipers at mosques and that this family is
conservative on family values, so that the little girl wearing a headscarf, and
the child helps his father, and the father respects his work and does not in
any kind of fraud ..
The characters of the film carried within them the kind of
photography for various Iranian people layers, a child represents an Iranian
child who bears responsibility from a young age and that his research for the
shoe that was used as a symbol of ambition, it also indicates that vital child
and active, baby glory in his study, the duties of family without fatigue or
boredom even if it cost him up to get away from Dharoryate as a child, such as
toys and fun, poverty was often a factor makes childhood ends in a short time,
and it appears this through what he said to him and his father at the beginning
of the film, "you are a man adult, has exceeded the year ninth "...
Child's personality "Ali" has been able to gain
the appreciation and the most impressive observers, the reincarnation of
distinctive character making this tiny actor be one of the most important
reasons for the success of the movie ..
Father Had initially appeared angry, but that with the film
later, we discover the image of that compassionate Father who is anything in
order to support his small family, but the little girl, they show the image of
Iranian girl in shyness and silence, but shame positive so diligently studied and
the spread of the secrets of her brother ..
Throughout the film, Tzhrna Iranian music distinctive
Petranimha, and explore the fragrant Iranian history and landmarks Persian
civilization, so the film was able to mix between the story and the poll, on
the one hand Scenes traces the thread of events on the other hand we hear the
beauty of the ocean and the Iranian deeply this unique civilization.
Screenplay distinguish it appears in a number of the points
most important of which is that anyone can understand the story of the film
without the need for translation, Fbsath story, and free movie complex
dialogues, and reincarnation distinctive personalities, all factors that make
Orbiter watching the movie and enjoy it without the need for many complexity .
of other things that show the power of the scenario is the
simplicity of his time, which does not exceed a few days, the time over normal
without employing elements of preemption and cracker, events are in line with
the film all smooth, leaving the field to the viewer to focus on events rather
than overloading the film Baltamoaj time, in addition to the scene of the
events in the film some well-known as the school places portrayed in the
educational institutions and the little house and twisted alleys teeming Balsaknh
.. overcrowding landmarks did not exceed
The richness of the script and its complexity, despite the
simplicity of the story, you can explore a number of themes that have been
intensified in the film, theme real brotherhood among the children, for friendship
exceeded all possible limits for that amount to the exchange of one boot, theme
of cooperation among the poor, a theme gap arena between rich and poor , theme
of respect between teachers and students, a theme of love between parents and
children, in short children of paradise, although he pictures a reality for the
poor in Iran, but it is drawing a number of beautiful pictures nesting in
Iranian society, as if Majid Majidi wants to say that the ugliness whatever has
increased and many, never can not erase the beauty landmarks.
Children of Paradise, directed by Majid Majidi not film a
tiger by unnoticed, it is a film defies every one says that the film is not
morality, is the film gives conclusive evidence on film the strange ability to
education and the education of the true human values, I do not mean education
that we know the educational film chore, but I mean that the film as a whole
not only succeed through their ability to build value, not demolished as does
the number of directors in Morocco ..
Children paradise wowed all viewers, so that gave a real
lesson for all of the focus on sexual scenes and talk el-Naby for the success
of his film, the film is free of all sexual arousal tools, I say this not
because sex defect we avoid in the movies, and not just because the cinema by
avoiding taboos, but I'm saying because unfortunately there are some filmmakers
in Morocco who are focusing on sex and speech fallen to attract the broad
masses, and anyone who disagreed opinion is obscurantist and reactionary not
know what the cinema ..
Deliberately talk about the film Children of Paradise in
this situational particular, the number of new theorists of cinema in Morocco
believe that anyone who does not encourage cinema decadent and stupid human
being reactionary, and I still remember that the strong debate who succeeded
him show a modest movie called marock Laila Marrakech, and how there are those
who defended for this film depraved despite the fact that most of the fans
recognized that the film destroys values, and not far from all that we woke up
on a technical catastrophe called the veil of love and how some tried to defend
the film detract from their values in the cultural heritage of Moroccan
society ..
Hence ask: Does the film Children of Paradise obscurantist
film because it is cut with scenes of sex and drink and dialogues speak el-Naby
?? Is a pioneering experiment Iranian cinema with all the aesthetics of the
image and creativity film will make some of our directors change their skins
and choose deeper, rather than topics of sex and wine topics film and speak the
fallen?
The veil of love: a lot of sex and a little art
My confession that art is not home to him, Mhahdhati film
includes a number of major schools in this area, Starting with the creativity
of Hollywood and through the aesthetics of Bollywood Finally including largesse
of talent Moroccan cinema, generated admit that the film is not exclusive to
one people and it is an innovative mirror reflects the artistic maturity of a
number of communities .
The big hype created by the movie Aziz Salmi veil big love
to the point that many Moroccan fans to see the film, and perhaps to play a
chord Moroccan public a sex and religion, has led him to watch this film
despite widespread criticism he has received, to reflect this movie argument to
the effect that all forbidden fruit is sweet, any movie sensation happens will
be benefiting greatly from the profits.
This is the finding after watching this movie, Only by those
big fuss caused by that have been the cause of the commercial success, the film
is modest than most of the elements of the film and was based on the
integration of some scenes free in order to film's success in movie theaters,
in recent times has become they are a number of producers and directors is to
ensure that the largest number of incomes, even at the expense of the values
and principles of the Moroccan community is often exceeded.
The first line we notice in the film is a mismatch between
the name of the film in Arabic, named in French, P amours voilés do not
translate to the veil of love, but love veiled, on the grounds that the
translation of the veil of love French equivalent le voile d'amour, the
alienation experienced by the Arabic language exceeded title and arrived in the
film that the percentage of the use of French in which more than 50 per cent,
even though the film is set in Casablanca, despite the fact that most of the
characters are Moroccan grew up in Morocco and not somewhere else.
Story of the film suffers from a lot of apathy, it is summed
up in the doctor reached the age of 28 without being married, making it feel
and her friends the others that the time is right to get to know a life
partner, recognize the person shooter, arise between them in a quick love
story, comes Ramadan, does the same girl, then her brother dies in a traffic
accident, which makes them decide to stay away from her boyfriend, who
collected a relationship with a number of others, but carry it makes them think
about the decision to leave him.
The biggest movie mistakes of the script, which suffers from
a large gash, the story is modest in which not any real projections of the
Moroccan society, Vanosh talked about film does not infect the girls Aghannaat
beautiful as we saw during the events, but is hitting poor girls who suffer
from humility in the beauty, the growing number of their photographs film
Moroccans Aattabrohn chickens Bkamunha, nor Tsabehn spinsterhood only in rare
cases do not deserve to be completed around the movie.
Talk about the headscarf in the film, pejorative feel that
the director Enter the subject above scenario as some of the spices that
increase movie sales, the veil was not placed in its true context within the
film, the heroine put the veil on her head and became the talk haraam and
muslim so without warning, although it appeared in the beginning of the film as
a girl open not interested in religion at all, if the director was clever bit
of a turning point gave the girl to the religious observance great interest in
the plot of the film rather than Asiq it as merely influenced by the advent of
the month of Ramadan.
The second girl puts the veil over her head just to get
married, and here may slightly agreed with the director of the film as long as
many girls in our society doing this Alchukl.don to forget that the killing of
the brother of the heroine was absurd to the hilt, he finds his sister veiled
Taatobt the arm of a man in an event, instead of Anehrha Armgaha stares anger,
and leaves it up to take her car with her boyfriend, to the chasing, to collide
with another car.
There are a number of free scenes in the film, especially
sexual scenes that took place between Younes Megri life Belhlovi, they do not
serve the plot of the text especially the last sexual scene that took place
between them before the end of the movie moments: Girl come wearing hijab,
tending her headscarf in a humiliating manner, have sex, and then rise to say I
have committed a sin, some of it angry out, I did not understand what the
director is trying to deliver it in this scene only increase sexual doses in
his film ..
The film dialogues reprinted many of the mannerisms and
rhetoric, it is once again, makes me kind of make sure that the Moroccan films
are often absent romantic dialogues in the level, many of the events of the
film edition of weak dialogues, I will not attempt counted because they
constitute most of the events of the film, because it is short, confirms that
there is much work deserves to be made in writing cinematic Moroccan especially
concerned with the romantic side.
Will not comment much on the performance of the actors who
has been uneven, the woodcutter role of men committed was convincing, despite
that maligned the director is being given to a man's personality committed
naive dimension, life Belhlovi role "Batoul" performed did not
understand I frankly do not see that it was originally valid for this role as
long as even tone Moroccan unclear, Younes Megri repeats itself in most of his
films, he is always the person that is open to life and who finds himself able
to more roles daring sexual performance, but girlfriends girls and they Saadia
to Adib, survived Khairallah and Nora Sicilians, the performance was acceptable
peek .
In short, the film veil of love, does not offer anything new
in the world of Moroccan cinema, it is not okay to talk about the veil and sex
in the cinema, but the disadvantage is that we make of these two elements is
just a way to attract the audience, forgetting that cinema creative process
mature offering to the public in order to repeat the same discovery , it means
recreational and educational dimensions of art is to ask questions about the
larger issues of human concerns and are not served by the disease that infects
Salmi as he did in this film, which is rightly regarded as one of the worst
films provided by the recent Moroccan cinema.
The edge of heaven
This movie I have not seen only by chance, and I did not
have downloaded only by chance, and perhaps that proverb coincidence is better
than a thousand date was the best descriptor for the incident, the empty myself
blaming only to pass the time comedy film, but it seems that fate did not
respond to me that night that uncircumcised Sherty is poor and picked me
serious film did not expect at all ..
The edge of heaven a co-production between the role of the
production of German and Turkish tells the stories of a variety or one story
branched out by a number of distinctive stories. In the beginning we discovered
two characters two are old and women father prostitute, two Turks living in
Germany, for a short between them in the German home was enough for the
relationship did not last long after the old father this woman was killed in a
fit of anger, which necessitated his son educated searching for the daughter of
a prostitute in Turkey in order to take care of expenses of her education, his
return to Turkey, made him decide to stability in their country of origin
without returning to Germany, at the same time the daughter of a prostitute,
which is active as part of an independence groups fled to Germany after the
follow-up to the police to her, and there she will meet a girl Germany where
Akunan the company of good, not Aekrha only Turkish girl arrested by the German
authorities and forcibly returned to Turkish homes where thrown in jail, the
German girl decides to go to Turkey to contribute to help her friend and
therefore they are trying to remove them from the prison, but were not knowing
it will kill in Turkey, which followed her mother to come to Turkey are the other
to take over her daughter's body, there are other developments that occur in
the
film
The story intertwined to a large degree, but at the director
is trying to offer a new form of cinematic art so deliberately to the technique
of film narrative interwoven, the characters are trying to follow their path,
we find ourselves to follow the other characters of the course, a very complex
process carried out by screenwriter metaphor for the complex communities and
intense filament between two shared a few of the points and differ in a large
number of them ...
The film tries to show the viewer the most prominent Turkish
landmarks assembled and German, this latter is a civilized where human rights
and the kind of apparent social emancipation in brothels and cabarets community
as well as the manifestations of human progress manifested in universities and
modern trains and immigration offices, while the Turkish society is a
paradoxical society the lines of a lot of third world countries, a society in
which meets many contradictions, Vdakhlh nesting political tensions between
Kurds and Turks, and within the spread of theft and violence, but in return
there is a distinct civilization appear in the film through the beautiful
Turkish music and Islamic mosques that have had the role of values of
civilization in the movie landmarks more than a religious role, not to forget
the Turkish human Taibobh and his dealings with foreigners all automatic and
amicable ...
In the midst of this comparison between the two communities,
we find that the director showed us the factors linking the Turkish Rights and
the German, Turkish the professor resident in Germany maintained its principles
and convictions and values, even though he lives in a different country, a
father who entered the prison shows the repression suffered by a number of
tribal world the third, who freed in developed countries, the prostitute turned
out to be the Eastern women often ignores the reality in European countries,
and often choose the easiest solution for the sake of earning a living, or
let's say that economic conditions in a country such as Germany makes it
imperative for a human being below the level of educational specified to
operate at prostitution, she shows us the Turkish young people aspiring to
contest the power of political conflicts, the German girl was found Western
girl model predominantly humanitarian character, paint a German mother in the
film features a Western man beware of immigrant human behaviors as involving a
different environments and lack of saturation Western culture ...
In the film revealed a number of relationships, there is a
relationship Sex collected Turkish prostitute Turkish Sheikh, a sexual
relationship is purely revealed some negative behaviors Eastern immigrants in
European countries, there is also a relationship lesbianism between the two
girls, and photographed by director intimate relationship that made them to be
so much cohesion, and perhaps that the director did not have another solution
to avoid this relationship on the grounds that the German human man thinks with
his mind, and when it was love at present, the matter has become emotionally to
the point of the struggle for Turkish political issue, and also there are
relationships that brought together Turkish professor of others, they are
filled relations respect human reflect the value of the intellectual and the
value of culture in human life ..
Splendor of the film lies in the fact it was an achievement
culturally before a breakthrough film, in the film playing a symphony of
convergence between two different civilizations, as we find a strong presence
of the book by the German library center of Istanbul, without forgetting that
the German woman's decision to achieve the dream of her daughter murdered
reflects that hope does not still it exists in this world, and that the joint
humanitarian nature does not distinguish religions or ethnic ...
Of the things that I liked in the film, is the surprise
factor, for example, we would have liked that goes on the prostitute in the
film, which leads to sudden death, which dislocate the ordinary happened
spacewalk, also managed to surprise in the German girl was killed in the midst
of a thrill to the extent that the recipient regrets very much for the death of
an important element of story and finds himself forced to follow other heroes
track, like the director is trying the element of surprise that confirms the
absence of competition in the film, we recognize that the Turkish girl form the
thin line of the event, but the importance of other characters make it the
title role is a senior, or rather, let's say they Championships fake in a time
where there were real human landmarks tournament and became just a game in the
hands of fate ..
The film output was the plain omission, did not exist visual
effects and a large fan scenes, but the camera lens trying to give the viewer
the contradictions experienced by the characters, the director was able to find
a job a combination of shots and excellent scenes, including travel sights,
travel Turkish professor to his home country, the German travel in order to
eject her friend from prison, and the most beautiful scenery travel Aljtmanyen,
the body of the Turkish prostitute, who returned to the country of origin, and
the body of the German girl who left Istanbul airport return to Germany, take
the same scene used the metaphor for that death is a common factor between the
two countries and it is also just episode biologist ..
Language film varied between German, Turkish and English,
hybridization linguist significantly, Valchkhos that lived between the two
countries for a long time to understand the German language and Turkish, and
characters that do not know very well the other country as a case of the two
girls, the English communicative language has been able to combine the two
girls, despite differences of Gthma mother .. .
The film provides the recipient cinematic Gap and satisfying
technically peerless, open end at all levels did not respond outlet through
which to give an answer to every question, but he made a happy, at least to the
Turkish girl who found it take care of their education and freed from ropes
gatherings tribal end of landmarks, and therefore they need to the triumph of
reason in the end, and return the characters to do with friendliness, the
father the one who committed the crime back to his homeland, the German mother
remain in Turkey, the Turkish professor chooses to remain permanently in
Turkey, the end I tried to give some hope to the recipient on the grounds
rigors of Goa for the film line .. .
Finally, I can not, not that I advise every lover of cinema
Avenue watching this film, for several reasons the most important of it's
success in delivering a message of cultural cross-fertilization between
different civilizations without diving into a big maze, and that the film is
intended for all humanity emphasizes that the individual whether Western or
oriental, it is one man of his aspirations is enough to build a single vision
looks to the future and remove the obstacles that would give more stress on our
relationships with the opposite ..
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