Every year we see horror films tonnes received on our faces until it became movies This product was superior to what is produced from the drama or fiction, not because horror films are essential for movie fans, but only because the industry an easy and cost a lot of money and effort, it is sufficient that the person make a monster of something then terrified by the public stupid Firtabbon, he did so anyway class horror for many years having become the preserve of the losers and all those who have an idea in his brain , no matter how Schavcha, even films that marked realism in her stories have become rare and only once or twice each year showing, but what promises to be there who are interested in actually providing serious stories inspired by reality and reflect on the history I have ever been and the events people lived really, it is true that they are numbered on the fingertips, but they are at least re for this product prestige from time to time, by focusing on the concerns for as long as he was afraid of them Rights and avoided like magic and sorcery and similar acts associated with the devil, the first man, an enemy, and the latter, then drafted in the work to say the least is the antiques, there have been previous films have dealt with the danger of demons and magic on her head repellent lives and foreboding, but the fact that a long time has before the issuance, it means the demise of the impact forget the majority of the current generation have the grounds that she classics useless, but those classics has brought with it many of the messages aimed and developed in order to raise public awareness Bmkmen real danger of conflict between believers and pagans, followers of the devil, in the sense explained educate the viewer the fact that the real danger represented by the devil in human arch- enemy in all monotheistic religions. Robert Eggers and one of those who seek through such films to warn viewers of the devil and related rituals and worship have long fought monotheistic religions that seek to link human in one God, not a fairy beliefs have established their ancient pagan religions and some groups still to this day followed up like a slave demons
In the 17th century, a man named William is excommunicated from a Puritan Christian plantation in New Englandalongside his family - wife Katherine, daughter Thomasin, son Caleb, and fraternal twins Mercy and Jonas - due to the crime of "prideful conceit". Exiled, the family builds a farm by a large forest. After several months, Katherine gives birth to her fifth child, Samuel. One day, while Thomasin plays with Samuel, the baby vanishes. A witch in the woods is revealed to have stolen the baby, after which she kills him and uses his blood and fat to make a flying ointment, which she rubs over herself. [5]
Katherine is devastated by Samuel's disappearance and spends her days crying and praying to God. While hunting for food, Caleb confronts William about the fate of his unbaptized brother's soul while William in turn confides in his son that he traded Katherine's prized silver cup for hunting supplies. Back on the farm, the twins play with the family's black goat, Black Phillip, who they claim speaks to them. That night, Katherine says that she blames Thomasin for Samuel's disappearance.
The next morning, Caleb and Thomasin go hunting and encounter a hare that Caleb and William had seen the day before. Their dog gives chase and Caleb follows. The commotion causes Thomasin's horse to throw her, knocking her unconscious. After getting lost, Caleb discovers their dog has been disemboweled and is then captured by the witch. Thomasin awakens and returns but Caleb is not found. Katherine blames her for the disappearance of Caleb and her silver cup. To save Thomasin from her mother's rage, William admits that he was the one who stole her silver. That night, Thomasin discovers that Caleb, naked and dying from a unknown illness, has managed to return to the farm.
Katherine suggests Caleb's mysterious ailment is the result of witchcraft. The family prays over Caleb, who passionately proclaims his love for Christ before dying. The twins accuse Thomasin of witchcraft to which she responds by accusing the twins, citing their ability to speak to Black Phillip. Enraged at their behavior, William boards Thomasin and the twins into their stable along with the goats. After dark, the witch enters the stable and begins drinking the animals' blood, terrifying Thomasin and the twins. Inside the house, Katherine is overjoyed by a vision that Caleb has returned with Samuel and the silver cup; she begins breast-feeding the infant, in reality exposing her breast to a raven, which pecks away at her body, leaving her clothes bloodstained.
The next day, William finds the stable destroyed, the goats drained of blood, the twins missing, and an unconscious Thomasin with bloodied hands lying nearby. William is then gored and killed by Black Phillip. Katherine, now completely insane at her husband's death, attacks Thomasin, forcing her to stab her own mother to death in self-defense. That night, Thomasin speaks to Black Phillip. The animal replies and is revealed to be Satanin disguise. After signing her name in a book, Thomasin wanders naked into the forest where she finds a coven of nude witches holding a Witches' Sabbath. The coven begins to levitate and a cackling Thomasin joins them, completing her transformation.
Cast [edit]
Anya Taylor-Joy as Thomasin
Ralph Ineson as William
Kate Dickie as Katherine
Harvey Scrimshaw as Caleb
Ellie Grainger as Mercy
Lucas Dawson as Jonas
Julian Richings as the Governor
Bathsheba Garnett as the Witch
Sarah Stephens as the young Witch
Wahab Chaudhry as Black Phillip
Axtun Henry Dube and Athan Conrad Dube as Samuel
Production [edit]
The film was partially based on Eggers' childhood fascination with witches. After unsuccessfully pitching films that were "too weird, too obscure", Eggers realized that he would have to make a more conventional film. [6] He said at a Q & A, "If I'm going to make a genre film, it has to be personal and it has to be good. "[6]
Eggers wanted to film the picture in New England but the lack of tax incentives meant he had to settle for Canada. [6] This proved to be somewhat of a problem for Eggers, because he could not find the forest environment he was looking for in the country. [6] They had to go "off the map", eventually finding a location (Kiosk, Ontario) that was "extremely remote"; Eggers said that the nearest town "made New Hampshire look like a metropolis". [6]
The production team worked extensively with English and American museums, as well as consulting English, seventeenth-century, agricultural experts. [7] The film was produced in several locations in what is known as Mattawa Voyageur Country.
Release [edit]
The film had its world premiere at the 2015 Sundance Film Festival, on January 27, 2015. [8] [9] The film was also screened in the Special Presentations section of the2015 Toronto International Film Festival, on September 18, 2015. [10 ] [11]
A24 and DirecTV Cinema acquired distribution rights to the film. [12] The film received very positive reactions in advance screenings, so the studios decided to give the film a wide theatrical release in the United States, on February 19, 2016. [13] [14]
Reception [edit]
Box office [edit]
As of April 24, 2016, The Witch has grossed $ 25.1 million in North America and $ 7.1 million in other territories for a worldwide total of $ 32.2 million. [3]
In the United States and Canada, pre-release tracking suggested the film would gross $ 5-7 million from 2,046 theaters in its opening weekend, trailing fellow newcomer Risen ($ 7-12 million projection) but similar to opener Race ($ 4-7 million projection ). [15] The film grossed $ 3.3 million on its first day and $ 8.8 million in its opening weekend, finishing fourth at the box office behind Deadpool ($ 56.5 million), Kung Fu Panda 3 ($ 12.5 million) and Risen ($ 11.8 million). [16]
Critical response [edit]
The Witch received positive reviews from critics. On Rotten Tomatoes, the film has a rating of 90%, based on 205 reviews, with an average rating of 7.8 / 10. The site's critical consensus reads, "As thought-provoking as it is visually compelling, The Witch delivers a deeply unsettling exercise in slow-building horror that suggests great things for debuting writer-director Robert Eggers." [17] Metacritic reports a score of 83 out of 100, based on 46 critics, indicating "universal acclaim". [18] Audiences polled by CinemaScore gave the film an average grade of "C-" on an A + to F scale. [16]
Variety commented, "A fiercely committed ensemble and an exquisite sense of historical detail conspire to cast a highly atmospheric spell in The Witch, a strikingly achieved tale of a mid-17th-century New England family's steady descent into religious hysteria and madness." [ 19] Yohana Desta of Mashable stated that The Witchis a "stunningly crafted experience that'll have you seeking out a church as soon as you leave the theater." [20] Peter Travers in his Rolling Stone review gave the film 3 1/2 stars, and wrote of The Witch "Building his film on the diabolical aftershocks of Puritan repression, Eggers raises The Witch far above the horror herd. He does not need cheap tricks. Eggers merely directs us to look inside." [21] Stephanie Zacharek summarized the movie in Time as "a triumph of tone", writing that "Although Eggers is extremely discreet-the things you do not see are more horrifying than those you do-the picture's relentlessness sometimes feels like torment." [22] gregory Wakeman from Cinemablend rated it five stars, writing that "[its] acting, lighting, music, writing, production design, cinematography, editing, and direction all immediately impress. While, at the same time, they combine to create an innately bewitching tale that keeps you on tenterhooks all the way up until its grandiose but enthralling finale. "[23] Ann Hornaday wrote in The Washington Post that the film joins the ranks of horror films such as The Exorcist, The Omen, and Rosemary's Baby, saying that The Witch "comports itself less like an imitator of those classics than their progenitor ... a tribute to a filmmaker who, despite his newcomer status, seems to have arrived in the full throes of maturity, in full control of his prodigious powers. "[24]
However, some critics as well as audiences were less pleased with the film; New York Daily News wrote that while the film does not suffer from the cinematography, acting, or setting, early on it "seems that The Witch is tapping a higher metaphor for coming of age ... or religious intolerance ... or man's uneasy balance with nature ... or something. It does not take long into the film's hour and a half running time, however, to break that spell. "[25] Critics have noted that the film has received backlash from audiences in regarding the film's themes and scariness; [26] HitFix writer Chris Eggertson was critical of mainstream Hollywood and summarized that the film "got under my skin profoundly, but it did not have the moment-to-moment, audience-pleasing shocks that moviegoers have become accustomed to thanks to movies like Sinister and The Purge and Paranormal Activity and every other Blumhouse and Platinum Dunes title in the canon. "[27] Lesley Coffin criticized A24, saying it was" a huge mistake "to market The Witch as a terrifying horror movie . "Not because it does not fit into the genre of horror, but because of the power of expectations. The less you know about this movie the better your experience will be, but everyone who saw it opening weekend probably walked in with too much knowledge and hype to really get as much out of it as they could have if the film had the veil of mystery. "[28] Jason Coffman expressed his" frustration "toward viewers who felt The Witch was" boring ", saying" [T] hese detractors have targeted [these] films that work within the genre but are also examples of how genre cinema can explore concepts and themes in ways that less fantastic stories can not. in short, the rejection of these films appears to people outside of horror fandom as a rejection of cinema as an art form. "[29]
Horror authors Stephen King and Brian Keene both reacted positively towards the film; King tweeted significant praise for the film, stating, "The Witch scared the hell out of me. And it's a real movie, tense and thought-provoking as well as visceral", [30] while Keene, on social media, stated "The Witch is a gorgeous, thoughtful, scary horror film that 90% of the people in the theater with you will be too stupid to understand. "[31]
Religious response [edit]
Julia Alexander of Polygon states that The Witch "asks people to try and understand what life would have been like for a family of devout Christians living in solitude, terrified of what may happen if they go against the word of God." [32] In The Atlantic, Alissa Wilkinson stated that films featured at the Sundance Film Festival, The Witch, along with Last Days in the Desert, Don Verdean, and I Am Michael reveal a "resurgence of interest in the religious" and described The Witch as "a chilling circa-1600 story of the devil taking over a devout, Scripture-quoting family. "[33] Eve Tushnet commented in an article in TAC, which was also published in First Things, that The Witch's view of witchcraft is" not revisionist " and further states that the film is "pervaded by the fear of God. There are occasional references to Hismercy but only as something to beg for, not something to trust in". [34] [35] Plugged in similarly opined that the protagonist of The Witch, "William is absolutely devoted to leading his family in holiness and the ways of the Lord, which should be a good thing. But the fruit of William's rigorous focus on dogmatic piety is not a lifting of burdens, which we're told should happen in Matthew 11:30, or a joyful celebration of living life to the fullest, as is referenced in John 10:10 ; rather it is deep fear and morbid meditations on hell, damnation and the forces of spiritual darkness. "[36] However, Josh Larsen of Think Christian explained the conclusion of the film, stating that in" encountering evil, the family in the film veers wildly back and forth between 'triumphalism' and 'defeatism,' two theological extremes "and" in refusing to allow for grace, they become easy pickings for the witch. "[37]
A spokesperson for the nontheist Satanic Temple, Jex Blackmore, claimed that A24 "approached the temple to say it believed the film would be of interest to members, though it did not specifically ask for an endorsement." [38] However, the Satanic Temple endorsed the film, even going as far as starting a tour for the film, which began on February 10, 2016. [38] The Satanist group believes "[the film] will signal the call-to-arms for a Satanic uprising against the tyrannical vestiges of bigoted superstitions, and will harken a new era of liberation and unfettered inquiry ", and started a website where people can" officially register themselves into 'The Book of Satan'. "[39] Nevertheless, Todd VanDerWerff of Vox stated that "A24 could have just as easily courted the approval of, say, theologians who have a fondness for Calvinism. The Witch takes place in Colonial America, and it unfolds from the perspective of period Christians who genuinely believe the woods around their tiny farm contain some sort of evil, supernatural being - and are ultimately proved correct. "[38]
Julia Alexander opined "that the movie never feels disrespectful to the group of people it's portraying.
I do not deny that I had taken a bad idea when I heard the issuance of this film, especially with him for such a title, "charming", I thought that the movie is no different from the rest of terror acts with sterile story, despite the presence of elements of other horror, but what is the surprise here is the story, which is not as far as new was presented a new and fascinating way. Events of the film take us to the seventeenth century where we see a Catholic family expelled from among the sons of religion because of disagreements confessional, Father William (Ralph anise) religious accepts the expulsion Kazema anger will move from his hometown into the woods accompanied by his wife and five sons Jobseeker new life, Vistkaron one of the areas actually embark in rebuilding their lives through the planting of crops and livestock. Eldest daughter Thomasin (Anya Taylor Joey) playing around with her brother's baby in the field that became exploit it in order to get the corn and suddenly disappears and the infant's family lives on the impact of his disappearance in the tragedy, then the doubts start slowly in conjunction big their daughter, which has become the focus of attention
He wrote the script Robert Eggers, rally all you can muster from the data on one of the darkest eras of Christianity, where the spread of hunting witches campaigns and adopted by the Catholic Church and continued to practice for many centuries, since the early Middle Ages until the eighteenth century, and resulted from these campaigns burning nearly One hundred thousand women under the pretext because they are witches !! Perhaps the writer of this issue did not mention, but which touched the other party, a party of witches !!. We report cites Mmarsathn satanic style which is no less devilish about it, scene by scene to see what revolves around the world of magic and rituals, methods and how it is formed, it is once the slaughter of children and bathing in blood in order to obtain magical powers superhero Kalthliq in the air !! Again embody the animal body (black goat), and by the way this is one of the common points between Christianity and Islam, so that it is in our religion, the black dog or black cat is the embodiment of the devil, and the interest Eggers these details demonstrates his devotion to Christianity and beliefs, and his eagerness to connect human fears satanic entity malignant. Knows how Aoss events not troubled remarkable them, being driven with the atmosphere of brutal mystery slowly toward detente vigorously but carefully thoughtful at the same time, here to refer to fans of horror movies Kalmnchar and sparkle they have a date with events radically different from what had previously know different, everything the film is linked to beliefs, whether divine religions or pagan, so that the screenwriter may quote the story of dozens of historical novels documented for the period of the seventeenth century and the owner of the firm belief by Christians that all evil suffer Vmenbah witchcraft and the devil, and is due out this evil to the priests and priestesses who appeared in the temples of ancient pagan gods as a class Mentvzh became a professional magical practices and was an integral part of Mnzawmthm ideological, emerged during the practice groups of beautiful women who Aatkven in temples and Carson themselves to serve the gods were and whose function key is to sing and dance while practicing rituals and religious rituals, and among the most important Tqoshn provide what is known as the sacred prostitution, most of these rituals were practiced in the open air, especially within the forests and remote areas, which was the scene of these celebrations diabolical, but With the adoption of the Romanian empire to Christianity in the fourth century and spread in a lot of European countries in subsequent centuries fallen this private practices after launching Christians what is known Bhroppem crusade during the twelfth century onwards, even those beliefs turned to mere folklore full of stories of magic and gods shaped diabolical ... I know I recount historical stories boring, but my goal this gave you about formulated film events and which may not be understood by the other, and because of them had seen the film as silly and relied on cheap fictional ideas, so the former Vklama was a negation of that and prove the credibility of Robert Eggers screenplay
Dialogues of the most important points of power and influence of the film, Eggers fact has exploited cleverly penned about real events and tells us is the same at the end of the film written in a way on the screen, sectarian differences are something was widespread at that time, which is what we see also the film, and beautifully shows how much have the impact of the dismantling of communities, if not handled properly logic. Mutual suspicion between the family members and the accusations are overwhelmingly a game practiced by the writer to distract viewers from the real enemy behind the mysterious and terrible events that plague the family religious but weak, which decreases its members one by one is not clear every day , and with the enemy lurking him the upper hand in getting However, the role of man in it, what it was just a suspicion among family members to translate words often motivated by fear and desire to survive! This is another element of the writer and hired him beautifully, giving the story more than just fear and expected impact for the worst in every moment, and the most exciting thing is that once Eggers plays a chord charming and once a chord probability of the presence of the offender within the family !! So keep our focus has been on all of the characters that appear even on everything our discretion even if a rabbit eyes do not suggest that he was merely a peaceful animal
Directed by Robert Eggers keen on text characters embody characters, cares about every detail related to the era of his story, no matter how its size, as had previously worked for years as a designer decorations and clothes in a simple movie budgets we have testimony that here strongly in his first fiction filmmaker. Clothes are woven by hand almost, the actions of the characters do not sleep only for being one of the figures of that era quite especially and they are not well-known movie stars used our eyes on them, elaborate make-up is flawless. The picture that make up all of that is full of sentiments! Feel with all its actually picture! If the scene recriminations feel heavily signed the indictment on the same defendant, though the scene to establish the truth you feel horror permeates your body to the core, Robert Eggers here loves what he narrated and Agah eagerly, it is true that the story is based on the fairy beliefs to some extent, but enough people of faith out to be real and sufficient manner conveyed to us to be a memorable experience simply. Do not tell that the film may cause those who watch whenever Kwabesa tried to close his eyelids, but it certainly will not forget and will not watch it pass unnoticed, Fbut Eggers not only text but malignant arrived for his image to give it a more sinister way, just the appearance of the animals is a bad omen !! Fbnzerp peek at her eyes while appearing on the screen can not distinction of being the eyes of an animal or seeks to cause harm demon eyes, do not personally know how he did Eggers it but inevitably laying in horror especially exploited for portability fact that animals pot of evil, as I have already and I said, subtle man represents the dependence on the religious aspect we have to put us in the face of the worst that has been imagined, which is the devil and witchcraft, and increased labor force and intensity of self that every scene expresses something, you will realize that while your watch without burning me. The man did not stop the fact that the text of which is full of mystery and he came in, adding to the mystery does not end concern, worry, because events may capsize at any moment without warning, and because things are harmless suddenly becomes deadly ! Shocked by changes in the tale characters that are not clear reasons until the end, all of this grant to work some kind of originality even though the consumer story over and over again, but it is here Introduction mischievously and blind faith of the film-makers that what you will see Sasdmk even Thoudrt shock!
Excellent performances from both Anya Taylor Joy, Ralph anise, Harvey Scrimshao and Catherine, are playing their roles all the goodwill we feel horror at the situation and put them in full, choosing Robert Eggers to Star unknown was a smart move to make a story like new photography Garin Blasc adds to the horror of the output scariest doubly evident in his choice of visual angles cumbersome and carefully selected, Music Mark Corvin terrible shake psychology at the hearing, they are more like the whining and Srhat issued from about to die! It sounds like a horrible Baltlassm adds to the atmosphere of suffocating pressure greater almost complete and The expanding as if he had written specifically for the picture here
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